Bart Holterman, 9 November 2015
In September 2015 I took part in the study course “Networking Europe: Kunst- und Kulturgeschichte der Hanse”, organised by the Warburghaus, University of Hamburg. The course, led by Profs. Barbara Welzel (University of Dortmund) and Iris Wenderholm (University of Hamburg), offered the ten participants, predominantly PhD students in art history, a platform to present their research and to discuss methodological questions.
The course started with a visit to the opening of the exhibition “Lübeck 1500: Kunstmetropole im Ostseeraum” in the Museumquartier St. Annen in Lübeck. The exhibition highlighted the central role of Lübeck in the late Middle Ages as a centre for the production and trade of (religious) art. It presented an extraordinary and impressive overview of this period, with many loans from museums abroad.
The historical perspective was assumed with a subsequent visit to the newly opened European Hanse Museum (Europäisches Hansemuseum), through which we were guided by Prof. Rolf Hammel-Kiesow, the museum’s scientific leader. The museum provides a fascinating overview of the history of the Hanse in different environments (e.g., the mouth of the river Neva, where the Novgorod traders assembled, the market of Bruges, etc.) which submerge the visitor in the time of the Hanse, while supporting this with copies of archival documents and other sources.
Both museums gave an extraordinary overview of different historical aspects of the town Lübeck, but I missed the connection between the two a bit. In the Lübeck 1500-exhibition, only little was said about Lübeck as a hanseatic trade centre, the very reason for it´s being also a centre for the arts, while in my opinion the Hansemuseum focused too much on the written sources. Therefore, in the following days in Hamburg, we discussed intensively questions of interdisciplinary research, its flaws and advantages, and the role of (art historical) museums today. These discussions were very interesting, also in light of our current project, and were for me the main added value of my participation in this course.
Posted in: Reports
Bart Holterman, 5 October 2015
For the banner of this blog and our facebook page, we have displayed a section of the famous Carta Marina from 1539. On a first glance of the map, the many marvellous creatures that inhabit the land and the sea immediately catch the eye of the beholder, yet it also provides us with a good overview of the contemporary North Atlantic trade. Time to explore this remarkable document a bit further.
The map was made by Olaus Magnus (1490-1557), the brother of the last catholic bishop of Sweden. He had travelled Scandinavia and the lands around the Baltic Sea extensively before he was sent on a diplomatic mission to Rome by the Swedish king Gustav Vasa. He was never to return home. Dissatisfied by the Reformation in his homeland, Magnus stayed abroad, first in Lübeck and Danzig, later for a long time in Italy, soon joined by his expelled brother Johannes Magnus. In Italy he kept close contacts to learned men of his age, among others cartographers and travellers.
Under influence from these social circles, Magnus decided to transform his own knowledge about Northern Europe onto a map, which would appear in print in Venice in 1539. It was the first large-scale map of Scandinavia to be ever made, and had much influence on European cartography for the next decades. However, because of its high costs, the number of copies remained low. The map itself disappeared off the map of European learning, and was deemed to be lost since the late sixteenth century. Luckily in 1886 an intact copy of the map was discovered in the Bavarian State Library in Munich, and in 1961 another one, which now resides in Uppsala.
An explanation of the map appeared only in 1555 as Historia de gentibus septentrionalibus. In this book, Olaus Magnus described the geography, wildlife, and customs of the people of the North, illustrated with woodcuts. These woodcuts are clearly based on parts of the map, which includes many details about the people of the North, the political situation of the time, and the nature and wildlife. We can see kings sitting on their thrones, armies crossing the frozen Baltic Sea, people hunting seals, the most important towns and cities, lighthouses, whales attacking ships, enormous snakes, swimming cows and other sea monsters.
The map is divided into nine parts, marked A-I. It covers the entire Scandinavian peninsula, the Baltic, Northern Germany and the Netherlands, the entire North Sea and North Atlantic, including the coastline of Britain, the southern tip of Greenland and the mythical island Thule, known from classical geographical works. Of our interest are mainly the sections A and D, covering a large part of the North Atlantic.
Olaus Magnus probably never visited the North Atlantic himself. Instead, he had to rely on the stories and descriptions of others, for example the Northern German traders that told him about Iceland, the Shetlands and the Faroe Islands. Of the Shetlands and Faroes, Magnus must have had few information, as these archipelagos are only schematically drawn. One remarkable detail can be found on the Faroes, though, where we can see a whale being slaughtered on the shore, reminiscing a practice of hunting whales by driving them up the shore which is still practiced today.
For Iceland, Magnus was clearly better informed. The Carta Marina was the first map that drew the island in its more or less actual shape. Moreover, three vulcanoes attest to Magnus’s knowledge of the high vulcanic activity on the island. The two episcopal sees, Hólar (Holensis) and Skálholt (Scalholdin), are displayed, as well as the monastery Helgafell (Abbatia Helgfiall), which was famed for its butter production (butirum). The three knights on the eastern part of Iceland should probably be seen as an indication of Danish military presence on the island.
Better than the natural, religious, and political situation, the map attests of the economic situation. Firstly, the main export goods of Iceland are indicated. These are, besides the already mentioned butter: stockfish, sulphur, and falcons. Stockfish was dried cod, highly valued in Europe as a preservable source of protein, and the main trade good of the arctic region. It is shown on a pile on the south coast. Just north of it, three containers of sulphur are depicted. Iceland was one of the few places where pure sulphur could be found. Sulphur, being among others a key ingredient for making gunpowder, was a highly valued substance. Finally, a gyr falcon (falco albus) can be seen on one of the northern peninsulas of Iceland. Gyr falcons are only found in arctic regions, and due to its being the largest and strongest species of falcon, it was highly valued by the nobility for use in falconry.
Apart from the export goods, the realities of the north atlantic trade are displayed in considerable detail on the map. Various trading harbours are indicated, most notably Hafnarfjörður (Hanafiord), where merchants from Hamburg had built a church. We can see ships lying at anchor at these harbours, and three tents at Ostrabord, which probably indicate the temporary booths the merchants set up on the shore and where they displayed their goods on sale during the summer.
The most important countries and cities trading with the island are also indicated. We can see a ship from Bremen at anchor near Ostrabord, an English ship which confused a whale for an island, a ship from Lübeck being attacked by whales, and a Scottish ship under attack by one from Hamburg, indicating the dominance of Hamburg in the North Atlantic trade. It was no exception that competition between merchants from different places led to violent clashes, as in 1523, when the crews of ships from Bremen and Hamburg attacked an English ship in a conflict over the rightful ownership of an amount of stockfish, resulting in casualties among the English.
These elements make the Carta Marina a wonderful visual testimony of the North Atlantic trade in the sixteenth century.
Posted in: Sources